By Shawn Salvant

The invocation of blood-as either a picture and a concept-has lengthy been severe within the formation of yank racism. In Blood Work, Shawn Salvant mines works from the yankee literary canon to discover the multitude of institutions that race and blood held within the awareness of overdue 19th- and early twentieth-century american citizens.

Drawing upon race and metaphor conception, Salvant presents readings of 4 vintage novels that includes topics of racial identification: Mark Twain's Pudd'nhead Wilson (1894); Pauline Hopkins's Of One Blood (1902); Frances Harper's Iola Leroy (1892); and William Faulkner's Light in August (1932). His expansive research of blood imagery uncovers excess of the simply organic connotations that dominate many reports of blood rhetoric: the racial discourses of blood in those novels surround the anthropological and the criminal, the violent and the spiritual. Penetrating and insightful, Blood Work illuminates the broad-ranging energy of the blood metaphor to script fairly American plots-real and literary-of racial identity.

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Blood Work: Imagining Race in American Literature, 1890--1940 by Shawn Salvant


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