By Lauren Onkey

Blackness and Transatlantic Irish Identity analyzes the lengthy historical past of imagined and actual relationships among the Irish and African-Americans because the mid-nineteenth century in pop culture and literature. Irish writers and political activists have usually claimed - and thereby created - a "black" identification to provide an explanation for their adventure with colonialism in eire and revere African-Americans as a resource of non secular and sexual power. Irish-Americans usually resisted this id in order to make a spot for themselves within the U.S. although, their illustration of an Irish-American identification pivots on a contrast among Irish-Americans and African-Americans. Lauren Onkey argues that essentially the most constant tropes within the statement of Irish and Irish-American id is developed via or opposed to African-Americans, and he or she maps that trope within the paintings of writers Roddy Doyle, James Farrell, Bernard MacLaverty, John Boyle O’Reilly, and Jimmy Breslin; playwright Ned Harrigan; political activists Bernadette Devlin and Tom Hayden; and musicians Van Morrison, U2, and Black 47.

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Blackness and Transatlantic Irish Identity: Celtic Soul Brothers (Routledge Research in Race and Ethnicity) by Lauren Onkey

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