By Laura Dolp

some of the most often played modern composers, Arvo Pärt has turn into a phenomenon whose strange achieve is felt well past the live performance corridor. This ground-breaking number of essays investigates either the motives and the results of this luck. past the rhetoric of 'holy minimalism' that has observed the composer's reception because the mid-1980s, every one bankruptcy takes a clean technique towards realizing how Pärt's tune has occupied social landscapes. the result's a dynamic dialog between filmgoers (who discover problems with empathy and resemblance), concertgoers (commerce and art), listeners (embodiment, therapeutic and the function of technology), activists (legacies of resistance) and performers (performance practice). jointly, those stories provide a daring and considerate engagement with Pärt as an enormous cultural determine and ponder the unheard of influence of his music.

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Arvo Pärt's White Light: Media, Culture, Politics by Laura Dolp

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